/ a project by
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 841844.
This project has received funding and support from the University of Oslo, the Norwegian Institute in Rome (UiO), University of Montreal, University of Sussex, University of Catania, University of Zurich, Campus Condorcet (Paris), University of Ghent, University Paris-Nord, University Sorbonne-Nouvelle, Ca’ Foscari University of Venice, Université Paris Cité, USPC (Université Sorbonne Paris Cité), and the CERILAC (Centre d’Études et de Recherches Interdisciplinaires de l’UFR Lettres, Arts, Cinéma, URP 441).
The notion of ‘imaginary’ originally emerged from social and psychological studies, and the theory of the imaginaries of translation can be considered as an extension of existing theories on ‘the linguistic imaginary’. This notion is thus particularly useful to model and understand the translator’s subjectivities (the imaginaries of translators) and the various conceptions and representations of translation (the imaginaries of translating) involved in the circulation of texts.